M1.2
M1.2
After the performance is over, the puppet stays somewhere on a chair in the backstage. It starts to dream about theatre. What would this dream be?
The puppet's possibilities are also its limitations. Igor uses identification, manipulation and finally dancing. At the end Igor should become the puppet or better become that what the puppet was metaphorically holding throughout the play- its deadness.
-Teja Reba e Loup Abramovici-
- Direção artística
- Teja Reba
- Loup Abramovici
- Performers
- Igor Gandra
- Marionetas
- Maria Jorge Vilaverde
- Júlio Alves
- Fotografia de cena
- Susana Neves
- Lighting design
- Teja Reba
- Loup Abramovici
- Operação de luz
- Pedro Nabais
- Operação de som
- Pedro Nabais
- Confeção de figurinos
- Ana Maria Ferreira
- Carlota Gandra
- Produção
- Teatro de Ferro
- Co-production
- Teatro de Ferro
- Festival Escrita na Paisagem